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The Switch (2010, Josh Gordon and Will Speck)

I suppose if someone wanted to think really hard about it, there’s something to be said about adapting short stories for Hollywood. Jeffrey Eugenides’s source short story was in The New Yorker. Is it...

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Office Space (1999, Mike Judge)

Office Space is the model of efficiency. Judge never races through things, he just tells them really fast or implies them. There’s the fantastic opening montage of everyone going to work, which ought...

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Horrible Bosses (2011, Seth Gordon), the extended cut

It would have been nice if one of the three credited screenwriter of Horrible Bosses thought enough to write characters for the protagonists. Instead, the script–and director Gordon–rely on the “charm”...

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She's the One (1996, Edward Burns)

She’s the One has a fantastic first act. Some of the banter doesn’t connect, but all of the performances are strong and when the banter does connect, it makes up for the rest. Director, writer, and...

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